when the dam burst
and snow poured into
your backpack like
demented heavy glitter

the rabbit on your heel twitched

time to go out for a smoke
meet your contact from macao
take possession 
of the bag whose contents
could change the world
(so your handler says)

but you can’t remember
if you’re supposed to have
capri or maverick

make your choice

your lighter awaits


Robert Beveridge (he/him) makes noise (xterminal.bandcamp.com) and writes poetry on unceded Mingo land (Akron, OH). Recent/upcoming appearances in Last Leaves, Taj Mahal Review, and Linked Verse, among others.

IG: @no_gods_exist
Trust Café: https://wts2.wt.social/en/user/xterminal/posts/posts
Letterboxd: https://letterboxd.com/xterminal/
last.fm: https://www.last.fm/user/xterminal



Abbie Doll is a writer residing in Columbus, OH, with an MFA from Lindenwood University and is a fiction editor at Identity Theory. Her work has been featured or is forthcoming in Door Is a Jar Magazine, The Bitchin’ Kitsch, and Ellipsis Zine, among others. Connect on Twitter or Instagram @AbbieDollWrites.

Went up on flames. Eighteen thousand (eighteen thousand!) cows inside one dwelling. Dead in hours. (Cows aren’t fire resistant. Flames, though, were worth witnessing. Remember wildfires that turned skies beautiful crimson like hemoglobinrich blood?) Another tragedy for animal kingdom. (Us-we remember when albatrosses were clubbed to death. Pretty feathers danced on air for days after that. And remember piles of bison bones and skulls fiveperson high? And oceans rich with delicious bloodsmell off right whales and sharks? Beautiful places with harmonious deathsongs and lingering afterimages. Worth visiting.) In landmass us-we were visiting, debates raged on, no, not about perished cows, but about famouspersons abusing power (again). Us-we thought there was time. Lots off it.

Spring came early, right after cow tragedy. Bees didn’t show up. (Was it protest or mourning?) Announcement papers and vision boxes that tell truths and untruths paid little attention. Importanter things were happening on the planet. Earthquakes, mass shootings and vision box shows. (Personbody is vulnerable to tectonic shifts, fast projectiles and storytelling.)

Ponds didn’t fill with ribbits. May be frogs joined bees on silent protest. (Is silence effectiver than ribbits?) Swarms off mosquitoes mushroomed out off ribbitless waters. Outsidedwellerperson swore scourge off mosquitoes killed their progeny. Noperson believed them. (What are survival advantages off outsidedwellers? Their numbers increase steadily.)

Governments awarded new research grants investigating not-so-new bee problem. Sciencepersons waded kneedeep in dead bees, trying measuring protest. (Is death effectiver than silence?)

Scourges got bigger. (Remember millions off bats roasted alive on caves to eliminate unpleasant odors off guano? Bats ate their weight in mosquitoes each night. Can anyperson else?) Some scourges got so large, they blocked sun. (Ah, passenger pigeons were skydarkening clouds, remember? They were careless, yet stingy with their eggs, which tasted great.) More grants were awarded investigating benefits off scourgeshade. Sciencepersons proved that individual insects were getting larger, not just scourges. Repellent sales soared, made billionaires off stockholders. (How can anyperson hold something that doesn’t exist?) Another progeny was sucked dry, this time by Hollywood Scourge. Last thing announcementperson on vision box did before they were attacked was to frown at scourge hanging above megadwellings. Their escape headinjury made bloodgurgling sounds. That they’d been wearing wig their entire career was on vision boxes for weeks. (What makes special hat worn on head such compelling subject matter?)

Birds didn’t come back, either. Maybe they’d had enough. Or may be whales had warned them. Birdloverpersons formed action groups shortly before they, too, succumbed to scourges. Reports off giant insects that ate plastic and metal (and cows?) came from faraway. Sciencepersons with thermal cameras and data simulations went investigating. Maybe these new insects could eat away permanent trash problem. Sciencepersons were never heard from again.

Just a few months after eighteen thousand cows burned alive, governments declared state off emergency. One quarrelsome leaderperson started new war and threatened all landmasses with leaky weapons. That’s when us-we decided leaving, finding another spot. May be one not so overrun by humanoids. They ruin every intergalactic vacation.



Blue Guldal is a queer, first-generation Turkish American writer, a scientist, and an editor in nonprofit healthcare. She lives in Brooklyn, NY, with her partner of twenty years. She’s currently working on her first novel.

erase each fingerprint from all the books you’ve read,
burn down each hair you dropped in public bathrooms as you were combing after crying spells,
remove each web page with your name
tear off the skin of every pair of lips that ever kissed you
perform lobotomy on all bartenders in your hometown

you don’t


Daria P. (she/they) is a copywriter, music journalist, singer-songwriter without a band, and an aspiring poet currently based in a small Siberian town. They started writing freeform poetry in English in 2020, during the lockdown, as the way to cope with isolation. Daria didn’t try publishing until 2023 and spent these years improving their writing. Their works will be featured in the August edition of Tap into Poetry.


jessamyn duckwall is a full-time poet and part-time sorcerer. Their writing often incorporates aspects of plant sentience, folk herbalism, and traditional and found forms of divination. They hold an MFA in poetry from Portland State University, and more of their work can be found in Old Pal Magazine, The Hunger Journal, and Radar Poetry, among other publications.


“My name is Zachariah Anders. And I’m a spellaholic.”

The other members of the workshop glared at him with the most incredulous looks anyone could muster, as if a child could’ve walked into the meeting and said something ten times as intelligent. This was the second meeting for magicians with low-esteem of the month and they were all supposed to introduce themselves last time, but Martha decided to take up forty-five minutes talking about her dumbass problems, as if accidentally signing away your first-born to a third level demon was something so novel and unique and not totally overdone by every beginner witch who was too stupid to read those contracts. Oh, how she wailed and wailed, on and on, until the meeting had to be called short because Mammon had broken through into Earth once again. And now, they stared at Zach like a braindead group of owls.

“Go on now, Zach,” said Madame Mori, petting the Pomeranian on her lap, “elaborate for us, dear.”
She was the self-designated leader of the group, a plump old witch who wore a purple turban about her head and what appeared to be a bathrobe from the early eighties, with a dozen hoop earrings that jangled whenever she turned her head. In other words, she was far too campy for the current decade and probably would’ve died off years ago if she didn’t have that dog with her. The familiar followed her every move, and now smiled a demonic smile at Zach.

“Very well,” he said.

It was the fifteenth of November on Merrow Island. Zach didn’t live there because it was far too overrun with tourists at the best of times, but as soon as the late autumn chill arrived, it was practically deserted. The forests off the beaten path were especially nice, but the only reason a magician would spend any reasonable time at a place like that was because it was a notable crossroad, and that is precisely why Zach had made his way there, to a clearing in the woods where blue will-o’-the-wisp danced away from him into the brambles.

“How about here?” he had said to his familiar. The black cat leapt from his grasp and walked around the clearing once, measuring with his eyes, before giving the politest meow it could muster. “Finally!”

“Don’t finally me,” replied the cat, its purple eyes glimmering. “This is the only clearing a hundred feet across each side that you’ve found. Now get your athame and chalice out before we’re mauled by a werewolf or some stupid shit like that.”

Zach rolled his eyes and reached into his satchel, withdrawing a dagger with an obsidian handle. He pointed it at the center of the clearing, and within an instant, a magic circle glowed red-orange at his feet, a hundred feet in diameter.

The rest was simple. Toss the following into the center of the circle: a bat’s foot, a widow’s anniversary tear, blood of a virgin of thirty-seven years (preferably in a glass vial), a torn page from the tenth chapter of your second least favorite book, vegetable oil, and a fingernail or hair sample from the caster. Zach sat at the edge of the magic circle with the athame and a gold chalice to his left, his familiar sitting on his right. He closed his eyes.

“O, Horned God. O, Mother Goddess. Never once I have been disloyal to either of you. I pray you do this one thing for me. Show me the one who will love me ’till the end of time. Send me the one who will complete me.”

The ingredients vanished in a puff of sparks. They heard him, thank fuck for that. A sudden wind blew by and he sat shivering for a few moments until a blast of heat hit his back and all the world appeared to glow the same color as the circle. His familiar hissed and leapt onto his chest, clawing into the fabric of his jacket. Giant columns of fire blasted from the earth all around him, all around the circle, twisting like tornadoes into the sky. Sweat dripped from him, and fear speared his heart. At the center of the circle, a crack in the ground had widened until black, inky hands reached out, an impossibly dark form heaving itself from the depths of hell. Tendrils wriggled from every side of it, spraying tar-like blotches onto the grass and dirt. It stared at Zach with no discernable eyes, then began to approach in a poor imitation of a human walk, almost as if it were dancing, swaying from side to side like the worst kind of drunkard. Then it was upon him.

“I got out of that situation pretty easily,” Zach finished, “but that thing’s been following me ever since. It ate a few children last week. So yeah, I’m a spellaholic, but I’ve been trying to stop. That wasn’t even the first time I tried that spell.”

The others didn’t speak a word. They would’ve made pretty convincing statues if they stopped blinking every so often. Madame Mori lit a cigarette.

“Well, shit,” she said.


Darren Yanes is an undergrad student studying Creative Writing at the University of Chicago. His stories tend to revel in the strange, the unspeakable, and the nonsensical, and how they interfere with ordinary people.

In the evening I wait for the ferry
that skids along glass: yangtze, yellow.
Water with no cork, opened. Someone
talks about walking in—like Jesus,
says he’ll part the red sea. Winks.

My hands, slicked with river. Slick
against the window: frame ajar, tipping
the glow of an eggshell lid. I pop it open,
crack the yolk of moonlight. The tea soaking,
dimmed into night, into bodies brushing

into light. Hymn beneath my tongue
like a plea—your name: hyun, hyun
humming in my mouth. We’re on the last
boat to Seoul, the captain says, water running
over rain. I lean forward and watch land draw

back, shapes fading. Ahead, the window
fogs with breath. With water. I think I see
my mother inside, shoulders open, hands star
-fished against glass. The rain warps them,
so that only their lines, rims, like oil

paints, remain. My bare feet on coughs
of dew: voyage down the sea—like Jesus,
walking on water.


Isabelle Wei is a Korean-Chinese writer, journalist, and poet. She is the recipient of the 2023 Yamabuki Prize and has been recognized by the Poetry Society of the UK, the Royal Commonwealth Society, and the Wilbur and Niso Smith Foundation. Her work can be found in Saint Mary’s College Museum of Art, Tabula Rasa Review, Writers in Kyoto, and Live Canon, among others. As the Editor-in-Chief of Reverie, she enjoys browsing through stories that reflect her love for the natural world. She has been nominated for both the Pushcart Prize and Best of the Net.

I hear reactions before I see it—beachgoers guessing what it could be. Hands above brows to shield the eyes: a new dark salute. Concern rising in their murmurs now. Out there, something is snaking along the horizon—a stark silhouette against the setting sun. Then I see it: not a shark, not whale. A shadow too big for even those but moving with intent. Organic. Honest. All purpose. It’s not right but perfect. Too fast. Already here. And I don’t know where my family is. Or even where I am. I forget I’m part of the known and unknown world. There’s a buzzing in my head that’s too high. Then too low. It’s coming from the creature, like jamming sonar. Our hands cover our ears. We lose what’s left of composure. A woman begins screaming, high-stepping out of the deeper depths, the way one runs through snowbanks, like slow-motion running in dreams—nightmares—where the running is never really running. Then she’s sucked beneath the sea. And we’re stuck in the stale air of this nameless town where something still secret reaches for us all. The sunscreen doing its best to soak up what would harm. But everything is failing. Whole sections of swimmers are pulled under at once from below. Surfers do not resurface from a wave that isn’t a wave. There is no blood—there was never any blood. Things are there and then they’re not. We disappear where we are. The lifeguards have fled their towers to save themselves but even the sand becomes quick to drown. The sun vanishes with a green flash and the clouds turn to ash and fall. And I, ankle-deep in lapping ripples, walk out to my knees, then to my waist. I dive, suspend, and wait—wanting something this strong, this great, to swallow me whole.


Aaron Sandberg has appeared or is forthcoming in Lost Balloon, Flash Frog, Phantom Kangaroo, Qu, Asimov’s, No Contact, Alien Magazine, The Shore, The Offing, Sporklet, Crow & Cross Keys, Whale Road Review, and elsewhere. A multiple Pushcart and Best of the Net nominee, you can see him—and his writing—on Instagram @aarondsandberg.


Nisa Malli is a writer and researcher, born in Winnipeg and currently living in Toronto. She holds a BFA in Creative Writing from the University of Victoria and has completed residencies at the Banff Centre and Artscape Gibraltar Point. Her first book, Allodynia (Palimpsest Press, 2022), was long-listed for the Pat Lowther Award and the Gerald Lampert Memorial Award. Her chapbook, Remitting (Baseline Press, 2019) won the bpNichol Prize.